The late, great Mike Brown

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November 2011 saw the passing of tattooer Mike Brown.
I remember seeing Signatures of the Soul for the first time (where this clip originated) and being blown away by that big ol’ frog on his back (which I think Rollo did) but I never really saw much of his tattooing until the mid 2000s.

The clip also features a young Jack Rudy.

Mike lived a hard life, but also lived tattooing. Bob Baxter interviewed him in 2005- what follows is a short excerpt; click the link at the end to read the full interview.

(about Mike Malone)
MB: I met him in Honolulu. I moved there in ’73 and just started hanging out in tattoo shops. Back then, white people were definitely in the minority, so we hit it off pretty good. You know, one white guy to another. This was Sailor Jerry’s shop. Yeah, we became good friends and then I started from the ground up. My first job was doing the floors. I used to mop and wax and get the floors real clean. Then I became the shop gofer. That was my whole life. I worked during the days in a cardboard box factory. That was my profession, during the day, and I hung out at the shop at night. It was the old-style apprenticeship, the way it should be done today, which nobody seems to even do. The fucking kids are just spoiled today―I can’t believe it―thanks to Huck Spaulding selling everything to everybody in the damn world. Anyway, Malone just started showing me things. I don’t think he had any idea that I was going to become a tattoo artist. I helped him; I made shaders for him. We’d make 20 set-ups every two weeks. He’d make 20 shaders and 20 liners, because military paydays were every two weeks. And we’d use the needles over again. Back then, you used them again. We’d clean ’em. We sterilized everything.

The full interview is worth reading, and can be found So Long and Fare Thee Well.

Update:
Mr. Grosso from Vice (responsible for the outstanding TATTOO AGE series) got in touch to share with us the interview he and the Vice team did with Mike in Hawaii in January of 2011. I never had the pleasure of meeting Mike, but he reminds me of the old guys I met when I was coming into tattoo culture; guys who packed more living into the years they had been given than most people twice their age.

Folk Art from the 50th State.
Rest in Peace, Mike.

What’s happening, Hot Stuff?

I did it again;
I had sworn off watching any more episodes of Spike TV’s INK MASTER after wannabe reality-show badboy Al Fliction had to ‘close shop’ and go home. I had thought there was no more to see. But I relapsed. Episode 4 came and went but I couldn’t resist episode 5; Traditional American.

Bold line. Heavy black shading. Limited color palette. A timeless tattoo you could read from 20 feet away.

The episode ended poorly.
The artists by and large put on good tattoos, but they missed the point entirely.

You can’t say the same about this lil devil from Michael Bennett of Faith Tattoo in Santa Rosa. He’s put a fun spin on it, but bold lines? Heavy black shading and tightly packed solid color? I’d ask why guys like Michael aren’t on Ink Master, but I think that it’s pretty obvious.

You can find out more about Michael at his blog.

Does your monkey say, Aloha? Well it should…

I have been hoping to put some badass blog entry together, in hopes that I would hopefully make a good impression, or at least not harsh the vibe…

Four SIX attempts later, I was sitting where I usually am: The Tattoo Shop.

Only this time I found myself in Minnesota! Yes it was 11:04pm, not too late then, it was 9 degrees outside, a nice 68 degrees inside The Aloha Monkey Tattoo shop in Burnsville, Minnesota, a small town on the south end of Minneapolis…

Where a lot of History, Art, and LOVE come together like a Beatles song…

So… If you didn’t know the following: you soon will.

The Aloha Monkey got its name from an old Sailor Jerry tattoo design, which is fitting as Mike Malone, the original tattoo artist that founded this shop worked for Norman Keith Collins AKA Sailor Jerry for a pretty good chunk of time, took over when Collins passed, Malone moved around a lot, but he’d always revisit Sailor Jerry’s Shop out in Hawaii.  Well Malone has passed on, but the Monkey is still here, only Josh Arment has been passed the torch, and it’s a new flush of different generations making this place vibrate nowadays.

We only got to hang out with Arment for like an evening because he was heading to Milan to work the Convention…  But, it’s always a good reminder when you realize damn, I missed this dude, Richard said he didn’t get enough time to chill with Arment, so another trip is in order… But when it’s warmer riding weather…. I agree 100%!.

I often talk about magic, the magic within a tattoo shop, I mean a shop can look cool, and feel pretty, but the vibe has got to be there, and there has got to be a funk about the place that leaves a lasting impression on the taste buds of your psychy… And this place has the magic. It was a good night. I had never been to the “Monkey”, but it like a handful of other truly unique places, like: Spotlight Tattoo in Hollywood, or Electric Ladyland Tattoo in NOLA, or Jinx Proof in DC, or Rock of Ages in Austin… I could go on and on….

Read the full post »

Lineage

Driving home from work on the second night of the Philly Tattoo Convention, my friends and I got into a discussion on tattoo designs being sigils that accumulate power by repetition; that over time an image becomes stronger (in whatever context you’d like to pin on it) as it becomes shared and refined. That’s what I love about the amuletic power of Traditional Americana tattooing; that you have a connection to the designs. That the black panther head you get from Mike Wilson or Chad Koeplinger hasn’t changed much since the design originated despite them putting their spin on it.

It’s especially true when you’re getting a design off of vintage flash; something that literally hasn’t changed in a 100 years connecting you not only to the artist who painted the design but all of the clients who’ve worn it over the years.

The conversation was sparked by this tattoo by my friend Andy Perez.
Andy picked up an original stencil cut by Lee Roy Minugh- the Prince of the Pike- at this year’s Philly Tattoo Convention and knew right away that he had to use it. Luckily he got the chance. Think about it- Every time that Lee Roy tattooed that snake, he used THIS acetate stencil. Not something from the thermofax, sized and resized till it was just right and then tossed into the trash. Every person who wore this design from Lee Roy was touched by this stencil.

Andy had this to say about it:

“Bought the stencil from Eric Minugh, it was his Dad’s. I wanted to use it the second I got it, knew Pat was there and he was one of two people I would have put it on who I knew would appreciate it. (and I knew it wouldn’t take much convincing.) It took about three tries to get it on and once I did was still barely there. But we went for it. And like anything else worth doing in tattooing/life it was challenging, and nerve wracking but ultimately super fun and rewarding.”

Patrick- the fella lucky enough to get the tattoo, followed up with this:
“I feel extremely lucky to have gotten it and, like Andy mighta mentioned before it was weirdly magical. Still super stoked. I think Perez was one step away from giggling with delight through the whole thing.”

Having seen Andy immediately after the tattoo…. I can second the giggling with delight thing. Total tattoo geek stuff.

Crazy Eddie

I can’t remember the first time I met ‘Crazy’ Philadelphia Eddie Funk.
It was probably sometime in the early 1990s, and you can bet that he had on some godawful suit (who knew that meringue was an option for suits?) with a trademarked screwdriver in each hand. But every time I’d see him at a convention over the years, he’d always make me laugh and, despite how old I get I doubt he’ll ever stop calling me ‘kid’.

Eddie, along with ghostwriter/PhD Dr. Eric Foemmel, has been chronicling his life and times in book form with the series “Tattooing: The Life and Times of Crazy Philadelphia Eddie”. They run like a standard oral history with Eddie narrating his life (and I believe come in audio form as well, read by the author) and are extensively illustrated with amazing photographs from the last hundred plus years of tattoo history.

I picked up volume one from Eddie this weekend at the Philadelphia Tattoo Arts Convention; I’ve skimmed through it with plans to pick up the other available volumes soon.

Here’s a snapshot of Eddie signing my copy of Vol. 1.
Godawful suit, screwdrivers on the table and a ‘here ya go, kid’ when he handed it over. Seems about right….

You can find our more about the book series here: Crazy Philadelphia Eddie.

Pork Chop Lohm

Rick Lohm just rolled these bad boys out at the Philly tattoo convention; 22″x28″ split Porkchop sheet with Eric Zona for the low low price of $80. Can’t get tattooed at the convention? You can still walk away with something awesome. Swing by the Lohm/Halo booth and say hi.

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