Lyle Tuttle

Paul Rogers at Grandpa Groovy’s- Richmond 1988

I was going through the ‘unmarked’ VHS tapes in my big bin the other day when I came across this little gem: a homemade video filmed in 1988 at Grandpa Groovy’s Richmond Convention. I really have no information on it; my friend and mentor Jack Yount pops up several times during the tape so it’s possible it was one of his vacation videos; that or it was sent to him because he’s in it. I’m not sure. WIth no label it’s really hard to tell the story, but I’d rather the story be told, so here you are.

Since it wasn’t a commercially produced tape it suffers from loud background noise (which I tried to lessen; to mixed success) and shaky camera work- but it also features the legendary Paul Rogers tattooing, so I figured the compromise was worth it. Other familiar faces include Randy Adams, Gil Montie, Sailor Moses and Lyle Tuttle.

I probably could have tightened up the edit a little and removed some of the camera panning, but I thought it added a little bit of character to see the folks who came out for Grandpa Groovy’s show versus just focusing on the tattooers. I’ll be scanning through the rest of the tape soon to see what else is there to be had; until then- enjoy!


Letters from Mr. Goldfield- Dylan

One of the best things about logging into Facebook these days are the occasional “back in the day” posts by tattoo icon and all around nice guy Henry Goldfield. These pieces of history are amazing; snapshots of tattoo shop life before they were televised and mass marketed. With Mr. Goldfield’s generous permission, I’ll be posting some of them here on OV. Maybe we can convince Henry to put it all down in book form one of these days!

Beginning in the late 50s, there was a man in San Francisco that was totally Tattooed. One of us, family so to speak. His name was Dylan. He was a gentleman when he was off his meds. You would think it would be the other way around, but his MO was to save them up and go way out there. He usually roamed the streets shirtless and barefoot. Sometimes I would see him at three or four AM wandering the city wearing only pants, regardless of how cold it was. When this happened, I would stop and ask him if he was OK. He would come out of his stupor just a little and say, “Oh, Hi Henry.” I would give him a few bucks and he would go on his way. When He came into the shop during business hours, it was to make sure we had a bad day. We would have to throw him out pronto. The idiocy he could unload on us in just a few minutes was amazing. But in that short span, he would borrow twenty bucks or so, while screaming, “Don’t hit me, don’t hit me!”

No one would ever think of violence on this man, but he liked the drama. He would come back for more money for another day or two, until the NO! became final. This started with me in 1978 and continued for about twentyfive years. Not once, not ever, did he ever fail to pay the money back. He didn’t need to. No matter how loaded and sick he was, he always remembered and appreciated. There was a time or two when he was in some psychiatric unit somewhere, he would send someone in the shop the money he borrowed maybe two years prior. Then there was the time he went to a rehab organization and told them that I had put out a hit on him if he didn’t pay me the fifty bucks I loaned him (it was only thirty). They sent me a letter warning me to lay off. Then they sent me a check in full with a stipulation stating that in the cashing of the check, I agreed not to harm Dylan. He knew how to tip. There was the time he went to St. Francis Hospital having a heart attack and told them he was me. It took me a long time and some rough times getting their billing department off my back.

Just before I met him, he called the San Francisco police and told then where he was (Tenderloin phone booth) and that he had a panther on a leash and that he was going to turn it loose. Crazies were doing things like that then. The Police showed up and Dylan stepped up and told them who he was and it was he that called,and asked the dangerous question, What are thy gonna do about it? They beat the living hell out of him. The next day, after getting out of Jail, he went to Lyle Tuttle’s shop where the help took photos. He took those prints to a lawyer, sued the City, and a deal was worked out for him to get disability pay for the rest of his life and legal fees to be covered. Dylan, the retiree! Later we can discuss the time he was arrested for bank robbery and beat the rap. Dylan, gone now, but ever a memory of a friend that kept life jumping for his friends.

Lyle Tuttle in San Diego


The first time I met Lyle Tuttle in person was in the hotel bar at a convention in New Orleans, probably 4am. I remember all the details like it happened yesterday; Iron Eagle was on tv, the bartender looked less than politely disinterested in having to work the shift and Lyle was entertaining a few people at the only fully occupied table in the bar.

I joined in, probably 20 at the time, and did the only respectful thing I could do- shut the heck up and listen to Lyle tell stories, pontificate and simply BE Lyle Tuttle.

For better or for worse Lyle has been a key figure in the modern history of western tattooing; he’s one of those old timers that you could listen to ad infinitum and learn not only about tattooing, but about being a character (and probably even a few dirty jokes you’d never heard before) in a time when character was more important than technique.

This is another excerpt from Ace’s ‘Colored People Invade San Diego’ video.